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AARON. Jane. “The Return of the Repressed: Reading Mary Shelley’s The Last Man” (pp. 9-21). In Feminist Criticism: Theory and Practice. ed. Susan Sellers. Linda Hutcheon. and Paul Perron. Toronto: Toronto University Press. 1991.
ABADI. Nagy Zoltan. “Gothic Fiction.” Hungarian Journal of English and American Studies 6 (2000): 145-96.
ABARTIS. Cæsarea. “Ugly-Pretty. Dull-Bright. Weak-Strong Girl in the Gothic Mansion.” [GGI: 2239].
ABBI-EZZI. Nathalie. The Double in the Fictions of R.L. Stevenson. Wilkie Collins. and Daphne du Maurier. Frankfurt am Main & New York: Peter Lang. 2003.
ABDULATIEF. Soraya. “Of Pain or Pleasure: The Construction of Women as Sado-Masochistic Subjects in Radcliffe’s The Mysteries of Udolpho” (pp. 6-14). In Inter Action. eds. Loes Nas and Lesley Marx. Capetown. South Africa: Department of English. University
ABENSOUR. Liliane and Françoise CHARRAS. Romantisme Noir. Paris: Herne, 1978. [GGII: 0037].
ABENSOUR. Liliane. “Limites––non frontières d‘une oeuvre: Le Moine de M.G. Lewis.” [GGII: 0310].
ABREU. John Warren. “Philosophy into Fiction: The Novels of William Godwin.” [GGI: 0608].
ACCETTA. Michael Angelo. “Gothic Elements in the Early American Novel.” [GGI: 1299].
ACHILLES. Jochen. “Composite Dis(Order): Cultural Identity in Wieland. Edgar Huntly. and Arthur Gordon Pym.” 1650-1850: Ideas. Æsthetics. and Inquiries in the Early Modern Era 3 (1997): 251-69.
ACHILLES. Jochen. “Fantasy as Psychological Necessity: Sheridan Le Fanu’s Fiction” (pp. 150-68). In Gothick Origins and Innovations. eds. Victor Sage and Allan Lloyd Smith. Amsterdam; Atlanta. Georgia: Rodopi; Costerus New Series 91. 1994.
ACHILLES. Jochen. Sheridan Le Fanu und die schauerromantische tradition: Zur Psychologischen funktion der motrivik von sensationsroman und geister ge-schichte. [GGII: 0679].
ACKERMAN. Forrest J. The Frankenscience Monster. [GGI: 2449].
ADAIR. Gerald M. “Feasting with Banquo: The Ghost Stories of Fritz Leiber.” Master’s Thesis. Florida Atlantic University. 2000.
ADAMS. Donald K. “Introduction.” To The Vampyre. [GGI: 0967].
ADAMS. Donald K. “The Second Mrs. Radcliffe.” [GGI: 1016].
ADAMS. Harriet Farwell. “Domesticating the Brutal Passion in Nineteenth Century Fiction.” [GGII: 0396].
ADDISON. Agnes. Romanticism and the Gothic Revival. [GGI: 2018].
ADELMAN. Gary. “Possession and Gothic Horror: David Storey’s Use of The Idiot in Radcliffe.” Journal of Modern Literature 24:1 (2000): 181-88.
ADELSPERGER. Walter Charles. “Aspects of Staging of Plays of the Gothic Revival in England.” [GGI: 1053].
ADICKES. Sandra Elaine. “The Social Quest: The Expanded Vision of Four Women Travelers in the Era of the French Revolution.” [GGI: 0390].
ADICKES. Sandra Elaine. The Social Quest: The Expanded Vision of Four Women Travelers in the Era of the French Revolution. [GGII: 0238].
ADSHEAD. David. “The Design and Building of the Gothic Folly at Wimpole. Cambridgeshire.” The Burlington Magazine 140:1139 (February 1998): 76-84.
AGNEW. Jennifer Marie. “‘Trying to Name the Unspeakable’: Narrating Identity in Turn-of-the-Twentieth-Century Gothic Fiction.” Dissertation Abstracts International 62:5 (2001): 1831 (Saint Louis University).
AGUIRRE. Manuel. “Narrative Structure. Liminality. Self-Liminality: The Case of Gothic Fiction” (pp. 133-51). In A Place That Is Not a Place: Essays in Liminality and Text. ed. Isabel Soto. Madrid. Spain: Publisher not indicated 2000.
AGUIRRE. Manuel. “The Roots of the Symbolic Role of Woman in Gothic Literature” (pp. 57-63). In Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. eds. Valeria Tinkler Villani. Peter Davidson. and Jane Stevenson. Amsterdam: Rodopi
AGUIRRE. Manuel. The Closed Space: Horror Literature and Western Symbolism. Manchester, UK & New York: Manchester University Press, 1990. [GGII: 0038].
AHERN. Stephen “Between duty and desire: Sentimental Agency in British Prose Fiction of the Later Eighteenth Century.” Dissertation Abstracts International 61:6 (1999): 246 (McGill University).
AHERN. Stephen. "????." (pp. ????). In Affected Sensibilities: Romantic Excess and the Evolution of the Novel, 1680-1810. New York: AMS Press, 2004.
AHLBRAND. Sheila. “Author and Editor: Mary Shelley’s Private Writings and the Author Function of Percy Bysshe Shelley” (pp. 35-61). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth. ed
AHLSTROM. Helen. “The Gothic Novel: Criticism and Theory (1764-1832).” Master‘s Thesis. Northwestern University. 1929.
AIKEN. Susan Hardy. “Gothic Cryptographies” (pp. 67-83). In Isak Dinesen and the Engendering of Narrative. Chicago: University of Chicago Press. 1990.
AINO. Tsuyoshi. “Du château a l‘hôtel; Proceedings of the XVIIIth Congress of the International Comparative Literature Association.” 200-09 in The Force of Vision II; Visions in History; Visions of the Other. eds. Toru Haga. Gerald Gillespie. Margaret Hig
AIRAKSINEN. Timo. The Philosophy of H.P. Lovecraft: The Route to Horror. New York: Peter Lang. 1999.
AKERVIK. Caroline Isabelle. “The Gothic Monster: Exploring Victorian Fin de Siècle Fears.” Master’s Thesis. University of Wisconsin-Eau Claire. 1999.
AKIYAMA. Masayuki. “James and Nanboku: A Comparative Study of Supernatural Stories in the West and East.” [GGII: 0982].
ALAKI. Ahlam. “Potocki’s Gothic Arabesque: Embedded Narrative and the Treatment of Boundaries in The Manuscript Found in Saragossa” (pp. 183-203). In European Gothic: A Spirited Exchange 1760-1960. ed. Avril Horner. Manchester and New York: Manchester Uni
ALAMOUDI. Carmen. “Un Sourire dechire: L‘Ironie dans le Vathek de Beckford.” Eighteenth-Century Fiction 8 (1996): 401-14. [A lacerating smile: Irony in Beckford’s Vathek]
ALBERT. Lauren Gale. “The Friction of Experience: Community and Understanding in the Novels of Charles Brockden Brown.” Dissertation Abstracts International 61:2 (2000): 606 (City University of New York).
ALBERT. Walter and Doug HIGHSMITH. “Fantasy and Horror Art and Illustration” (pp. 573-618). In Fantasy and Horror: A Critical and Historical Guide to Literature. Illustration. Film. TV. Radio. and the Internet. ed. Neil Barron. Lanham. MD: Scarecrow Press. 1999.
ALBERTAZZI. Silvia. “Figurazinoni oniriche nel romance ‘Italiano‘ di Radcliffe.” [GGI: 0391].
ALBERTAZZI. Silvia. “Letteratura e cinema: David Cronenberg dagli incubi del gotico inglese ai disagi dell’eta postcoloniale.” Problemi: Periodico Quadrimestrale di Cultura 103 (1995): 234-41. [Literature and Cinema: David Cronenberg from the Incubi of th
ALBERTAZZI. Silvia. Il sogno gotico: fantasia onirica e coscienza femminile da Horace Walpole a Charlotte Brontë. Imola: Biblioteca di Spicilegio moderno. Galeati. 1980. [The Gothic dream: Oneiric fantasy and feminine conscience from Horace Walpole to Cha
ALBRIGHT, Richard. "No Time Like the Present: The Mysteries of Udolpho." Journal for Early Modern Cultural Studies 5 (2005): 49-75.
ALBRIGHT. Richard Sheldon. “Writing the Past. Writing the Future: Time and narrative in Gothic and Sensation Fiction.” Dissertation Abstracts International 63:4 (2002): 1350. (Lehigh University).
ALDISS. Brian W. “Introduction” (pp. vi-xi). To The Last Man. Lincoln: University of Nebraska Press. 1965.
ALDISS. Brian W. “Mary Wollstonecraft Shelley. 1797-1851.” In Science Fiction Writers: Critical Studies of the Major Authors from the Early Nineteenth Century to the Present Day. [GGII: 0397].
ALDRIDGE. A. Owen. “The Vampire Theme: Dumas Père and the English Stage.” [GGI: 2316].
ALEGRE. Sara Martin. “Idolos del fantastico popular: el gotico cotidiano de Stephen King y la satira pseudohistorica de Terry Pratchett.” Lo Fantastico literatura y subversion: Quimera. Revista de literatura 218-219 (2002): 87-99. [Idols of the Popular Fa
ALEXANDER. Boyd. “The Decay of Beckford’s Genius.” In William Beckford of Fonthill. 1760-1844: Bicentenary Essays. [GGI: 0282].
ALEXANDER. Boyd. “William Beckford of Fonthill.” [GGI: 0283].
ALEXANDER. Boyd. “William Beckford: Man of Taste.” [GGI: 0281].
ALEXANDER. Boyd. England’s Wealthiest Son: A Study of William Beckford. [GGI: 0284].
ALEXANDER. Bryan. "The Blair Witch Project: Expulsion from Adulthood and Versions of American Gothic." (pp. 145-61). In Nothing That Is: Millennial Cinema and the Blair Witch Controversies, eds. Sarah L. Higley, Jeffrey Andrew Weinstock. Detroit: Wayne State University Press, 2004.
ALEXANDER. Bryan. “Dracula and the Gothic Im-agination of War.” Journal of Dracula Studies 3 (2002): 15-23.
ALEXANDER. Christine. “‘That Kingdom of Gloom’: Charlotte Brontë. the Annuals. and the Gothic.” Nineteenth-Century Literature 47 (1993): 409-38.
ALEXANDER. Meena. “Femininity and Betrayal: The Last Man” and “Confronting Chaos: Mary Shelley’s The Last Man” (pp. 155-60. 185-91). In Women in Romanticism: Mary Wollstonecraft. Dorothy Wordsworth. and Mary Shelley. Savage. MD: Barnes and Noble. 1989.
ALLARD. James. Robert. “Spectres. Spectators. Spectacles: Matthew Lewis’s The Castle Spectre.” Gothic Studies 3 (2001): 246-61.
ALLEN. Brooke. “A Universal Region: The Fiction of Eudora Welty.” The New Criterion 18:2 (1999): 35-41.
ALLEN. Bruce. “Delight and Terror.” [GGI: 1516].
ALLEN. Dennis W. “Horror and Perverse Delight: Faulkner’s ‘A Rose for Emily.’” [GGII: 1061].
ALLEN. Jeanne. “Harlequins. Gothics. and Soap Operas: Addressing Needs and Masking Fears.” [GGII: 14-32].
ALLEN. M.L. “The Black Veil: Three Versions of a Symbol.” [GGI: 1639].
ALLEN. Michael. Poe and the British Magazine Tradition. [GGI: 1517].
ALLEN. Virginia M. “Romantic Ballad and Gothic Plot.” In The Femme Fatale: Erotic Icon. [GGII: 1464].
ALLIATA.  Michela Vanon. “The Vertigo and the Abyss: Brown’s Internalization of Gothic in Wieland and Edgar Huntley." (pp. ????). In America Today: Highways and Labyrinths, ed. Gigliola Nocera. Grafià, Siracusa, Italy: Italy Publication, 2003.
ALLISTON. April. “Introduction” (pp. lx-xliv). To The Recess. A Tale of Other Times. ed. April Alliston. Lexington: University Press of Kentucky. 2000.
ALLISTON. April. “Secret Communications; or. Faults of Transmission” (pp. 148-87). In Correspondences in Eighteenth-Century British and French Women’s Fiction. Stanford. CA: Stanford University Press. 1996.
ALMER. Johan. Variation på götiskt tema: En studie i C.J.L. Almqvists “Sviavigamal.” Göteborg: Litteraturvetenskapliga institutionen. Göteborgs universitet. 2000. [Variation on a Gothic Theme: A Study in C.J.L. Almqvists “Sviavigamal”.]
ALMIRALL. Catherine L. “Smollett’s ‘Gothic’: An Illustration.” [GGI: 2137].
ALSOWAIFIN. Sabah Habes. “Qasim’s Short Stories: An Example of Arabic Supernatural/Ghost/Horror Story.” Dissertation Abstracts International 62:5 (2001): 1854 (University of Alberta).
ALTOMARI. Lisa. “Monstrous Dialogue: Ann Radcliffe and Matthew G. Lewis.” Dissertation Abstracts International 61:4 (2000): 1415 (New York University).
ALVAREZ. Villar Alfonso. “Análisis temático de la literatura terrifica.” Arbor 78 (1971): 331-42. [Thematic a-nalysis of terror literature].
ALWES. Karla. “The Alienation of Family in Mary Shelley’s Frankenstein” (pp. 109-19). In Jane Austen and Mary Shelley. and their Sisters. ed. Laura Dabundo. Lanham. MD: University Press of America. 2000.
AL-ZUBI. Hasan Abdallah. “Realistic and Naturalistic Representation in Henry James’s Fiction.” Dissertation Abstracts International 59:2 (1998): 486A (Indiana University).
AMERY. Francis. “CAZOTTE. Jacques (1719-1792)” (pp. 663-64). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
AMERY. Francis. “LEROUX. Gaston (1868-1927)” (pp. 672-73). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
AMERY. Francis. “VILLIERS DE L’ISLE ADAM. (Jean Marie-Mathias-Philippe-Auguste) Comte de” (pp. 682-83). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
AMES. Diane S. “Strawberry Hill: Architecture of the ‘as if.’” Studies in Eighteenth Century Culture 8 (1979): 353-63.
AMFREVILLE. Marc. “Charles Brockden Brown et Edgar Allan Poe: Transformations and Anamorphoses: Figures de la littérature américaine.” Imaginaires: Revue du Centre de Recherchesur l’imaginaire dans les Littératures de Langue An-glaise 4 (1999): 163-74.
AMFREVILLE. Marc. “L’ecriture de la subjectivite” (pp. 47-66). In Profils Americains II. eds. Marc Amfreville and Françoise Charras. Montpelier: Université de Paul Valery. 1999. [Writer of Subjectivity].
AMFREVILLE. Marc. “The House of the Seven Gables: Une Tragedie gothique.” Revue Française d’Études Américaines 83 (2000): 113-28. [The House of the Seven Gables: A Gothic Tragedy].
AMFREVILLE. Marc. “Wieland ou la transformation” (pp. 154-62). In Le Roman noir anglais dit gothique. ed. Max Duperray. Paris: Ellipses. 2000.
AMFREVILLE. Marc. Charles Brockden Brown: La part du doute. Paris: Belin. 2000. [Charles Brockden Brown: The Role of Doubt].
AMICOLA. José. La Batalla de los géneros: Novela gótica versus novela de educación. Rosario, Argentina: Viterbo, 2003.
AMIGONI. David. "Gothic Choirs and Gothic Fictions: Habitus, Moral Space, and Identity in the Autobiographies of Ruskin and Newman." (pp. 231-46). In Mapping the Self: Space, Identity, Discourse in British Auto/Biography, ed. Frédéric Regard, preface Geoffrey Wall. Saint Etienne, France: Université de Saint Etienne, 2003.
AMIS. Kingsley. “Dracula. Frankenstein. Sons and Co.” In What Became of Jane Austen? And Other Questions. [GGI: 2450].
AMPER. Susan. “Masters of Deceit: Poe’s Lying Narrators.”  Dissertation  Abstracts  International  62:1 (2001): 169 (Fordham University).
ANCUTA. Katarzyna. Where Angels Fear to Hover: Between the Gothic Disease and the Metaphysics of Horror. Frankfurt am Main: Peter Lang. 2006.
ANDERSEN. Jorgen. “Giant Dreams: Piranesi’s Influence in England.” [GGI: 0285].
ANDERSEN. Jorgen. “Giant Dreams: Piranesi’s Influence in England.” [GGI: 0285].
ANDERSON. Bonnie. “The Writings of Catherine Gore.” Journal of Popular Culture 10 (1976): 404-23. Details the life of the novelist and playwright Catherine Grace Frances Gore. Her best known novel is Cecil; or. The Adventures of a Coxcomb and her best kno
ANDERSON. Carol. “Emma Tennant. Elspeth Barker. Alice Thompson: Gothic Revisited” (pp. 117-30). In Contemporary Scottish Women Writers. eds. Aileen Christianson and Alison Lumsden. Edinburgh: Edinburgh University Press. 2000.
ANDERSON. Douglas. “Edgar Huntly’s Dark Inheritance.” Philological Quarterly 70 (1991): 453-73.
ANDERSON. George K. “The Neoclassical Chronicle of the Wandering Jew.” [GGI: 2302A].
ANDERSON. George K. “The Wandering Jew Returns to England.” [GGI: 2302]
ANDERSON. George K. The Legend of the Wandering Jew. [GGI: 2303].
ANDERSON. Howard. “Gothic Heroes.” In The English Hero. 1660-1800. ed. Robert Folkenflik. Newark: Delaware University Press. 1982: 205-21. [GGII: 0039].
ANDERSON. Howard. “Introduction.” To The Monk. [GGI: 0531].
ANDERSON. Howard. “The Manuscript of M.G. Lewis’s The Monk: Some Preliminary Notes.” [GGI: 0530].
ANDERSON. James. “Morality in the Horror Fiction of Stephen King.” Studies in Weird Fiction 22 (1998: 29-33.
ANDERSON. Kenneth Mark. “The Foreign Relations of the Family State: The Empire of Ethics. Æsthetics. and Evolution in Meiji Japan.” Dissertation Abstracts International 60:4 (1999): 1139 (Cornell University).
ANDERSON. Linda. “‘OH DEAR JESUS. IT IS FEMALE’: Monster as Mother/Mother as Monster in Stephen King’s It” (pp. 111-25). In Imagining the Worst: Stephen King and the Representation of Women. eds. Theresa Thompson and Kathleen Margaret Lant. Westport. CT:
ANDERSON. Mark. "The Shadow of the Modern: Gothic Ghosts in Stoker's Dracula." (pp. 382-98). In Literary Paternity: Literary Friendship. ed. Gerhard Richter. Chapel Hill. NC: University of North Carolina Press. 2002.
ANDERSON. Robert. “‘Ruinous Mixture’: Godwin Enclosure and the Associated Self.” Studies in Romanticism 39 (2000): 617-45.
ANDERSON. Walter E. “From Northanger Abbey to Woodston: Catherine’s Education to Common Life.” [GGII: 0615].
ANDOLA. John Anthony. “Nathaniel Hawthorne’s Use of Mesmerism in Four Major Works.” [GGI: 1640].
ANDREAS. James. “‘If It’s a Symbol. the Hell with It’: The Medieval Gothic Style of Flannery O’Connor.” [GGII: 1091].
ANDREW. R.V. Wilkie Collins: A Critical Survey of his Prose Fiction with a Bibliography. New York: Garland Publishing. 1979.
ANDREWS. Jennifer. “Native Canadian Gothic Refigured: Reading Eden Robinson’s ‘Monkey Beach.’” Essays on Canadian Writing 73 (2001): 1-24.
ANDREWS. S.G. “The Wandering Jew and The Tra-vels and Adventures of James Massey. [GGI: 2304].
ANDREWS. William L. The Literary Career of Charles W. Chesnutt. [GGI: 1722].
ANDRIANO. Joseph D. “Our Ladies of Darkness: Jungian Readings of the Female Daimon in Gothic Fiction.” Dissertation Abstracts International 47 (1986): 2150A (Washington State University). [GGII: 0040].
ANDRIANO. Joseph D. Our Ladies of Darkness: Feminine Dæmonology in Male Gothic Fiction. [GGII: 0041].
ANDRIANO. Joseph. “‘Our Dual Existence’: Archetypes of Love and Death in Le Fanu’s ‘Carmilla’” (pp. 49-55). In Contours of the Fantastic: Selected Essays from the Eighth International Conference on the Fantastic in the Arts. ed. Michele K. Langford. Westp
ANDRIOPOULOS. Stefan. “The Invisible Hand: Supernatural Agency in Political Economy and the Gothic Novel.” ELH 66 (1999): 739-58. Links the Gothic novel to Adam‘s Smith‘s The Wealth of Nations (1776).
ANDRZEJEWSKI. Gregory Scott. “Sibling Incest: “Revolution” and “Narcissism“ in Selected Romantic and Gothic works.” B.A. Honors Thesis. Albion College. 1994.
ANGENOT. Marc. La Littérature populaire française au dix-neuvième siècle.” [GGII: 1283].
ANGLO. Michael. “Gothic Foundations” (pp. 67-91). In Penny Dreadfuls and Other Victorian Horrors. London: Jupiter, 1978 [GGI: 0039].
ANIEVAS GAMALLO. Isabel C. “Motherhood and the Fear of the Other: Magic. Fable. and the Gothic in Doris Lessing’s The Fifth Child” (pp. 113-24). In Theme Parks. Rainforests. and Sprouting Wastelands: European Essays on Theory and Performance in Contempora
ANOLIK, Ruth Bienstock & Douglas HOWARD, eds. The Gothic Other: Racial and Social Constructions in the Literary Imagination. Jefferson, NC: McFarland, 2004.
ANOLIK, Ruth Bienstock. "The Infamous Svengali: George du Maurier's Satanic Jew." (pp. 163-93) in The Gothic Other: Racial and Social Constructions in the Literary Imagination, eds. Ruth Bienstock Anolik, Douglas L. Howard. Jefferson, NC: McFarland, 2004.
ANOLIK. Ruth Bienstock. "Introduction: The Dark Unknown" (pp.1-14). In The Gothic Other: Racial and Social Constructions in the Literary Imagination., eds. Ruth Bienstock Anolik & Douglas L. Howard. Jefferson, NC: McFarland, 2004.
ANOLIK. Ruth Bienstock. "The Missing Mother: The Meanings of Maternal Absence in the Gothic Mode." Modern Language Studies 33:1-2 (2003): 24-43.
ANSPAUGH. Kelly. “‘Three Mortal Hour[i]s’: Female Gothic in Joyce’s ‘The Dead.’” [GGII: 1368].
ANTHONY. David. "Banking on Emotion: Financial Panic and the Logic of Male Submission in the Jacksonian Gothic." American Literature 76 (2004): 719-48.
ANTHONY. David. "'Gone Distracted': 'Sleepy Hollow,' Gothic Masculinity and the Panic of 1819." Early American Literature 40 (2005): 111-44.
ANTHONY. M. Susan. “‘Some Deed of  Dreadful Note’: Productions of Gothic Dramas in the United States. 1790 to 1830.” Dissertation Abstracts International 58:9 (1998): 3366A (University of Maryland).
ANTHONY. M. Susan. “Made in America: Adaptations of British Gothic Plays for the American Stage.” Journal of American Drama and Theatre 8:3 (1996): 19-34.
ANTIPPAS. Andy. “The Structure of Shelley’s St. Irvyne: Parallelism and the Gothic Mode of Evil.” [GGI: 0672].
ANTOR. Heinz. “Unreliable Narration and (Dis)ori-entation in the Postmodern Neo-Gothic Novel: Reflections on Patrick McGrath’s The Grotesque." Miscelanea: A Journal of English and American Studies 24 (2001): 1137; Reprinted (pp. 357-82). In Erzahlen und Erzahlentheorie im 20. Jahrhundert: Festshrift für Wilhelm Fuger. ed.  Jorg Helbig.
APPEL. Alfred. “The Grotesque and the Gothic.” In A Season of Dreams: The Fiction of Eudora Welty. [GGII: 1220].
ARAKI.  James T.  “A  Critical  Approach  to  the  Ugetsu Monagatari.” Monumenta Nipponica 22:1-2 (1967): 49-64.
ARATA. S.D. “The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization.” [GGII: 0708].
ARATA. Stephen. “Scott’s Pageants: The Example of Kenilworth.” Studies in Romanticism 40 (2001): 99-107.
ARMITAGE. Shelley S. “The Dragon’s Black Breath: Evil and Moral Vision in the New Gothic Novel.” Master’s Thesis. Texas Tech University. 1971.
ARMITT. Lucy J. “Ghosts and Hauntings in the Victorian Novel” (pp. 151-61). In A Companion to the Victorian Novel. eds. William Baker. Kenneth Womack. Westport. CT: Greenwood Press. 2002.
ARMOUR. Richard W. “The Caliph of Fonthill.” [GGI: 0286].
ARMSTRONG. Neil. "'Gothic Going Mad': Aspects of Christmas Church Decoration in the Nineteenth Century." (pp. 3-11). In Victorian Gothic, eds. Katherine Sayer & Rosemary Mitchell. Leeds, UK: Leeds Centre for Victorian Studies, Trinity and All Saints College, University of Leeds, 2003.
ARNAUD. Pierre. “Au Service du Lucifer: Le Diable. la magie. et le pacte dans Le Moine de Lewis.” In Maître et Serviteur dans le monde anglo-américain des XVIIe et XVIIIe siècles. [GGII: 0312].
ARNAUD. Pierre. “Crime et châtiment dans le roman romantique” (pp. 165-71). In La Mort. le fantastique. le surnaturel du XVIe siècle a l‘epoque romantique, ed. Michele Plaisant. Villeneuve d'Ascq: Universite de Lille, 1981.. [GGI: 0040]. Reprinted (pp. 62-68). In Le Roman noir anglais dit gothique. ed. Max Duperray. Paris: Ellipses. 20
ARNAUD. Pierre. “Le Double dans le roman go-thique: The Monk de Matthew Greogory Lewis.” In Le Double dans le romantisme anglo-américain. [GGII: 0311].
ARNAUD. Pierre. “Le Roman Gothique et l‘Avéne-ment de Femme Moderne.” Bulletin de la Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe Siècles 20 (1985): 167-84.
ARNAUD. Pierre. “The Gothic Novel” (pp. 123-28). In  A Handbook to English Romanticism. eds. Jean Raimond and J.R. Watson. New York: St. Martin‘s. 1992.
ARNAUD. Pierre. “Un Document inédit: Le Contrat de Mysteries of Udolpho.” [GGI: 0393].
ARNAUD. Pierre. “William Godwin: Caleb Williams: Bibliographie sélective et critique.” [GGI: 0609].
ARNAUD. Pierre. Ann Radcliffe et le fantastique: Essai in psychobiographie. [GGI: 0394].
ARNAUD. Pierre. Les Jardins dans les romans de Mrs. Radcliffe.” In Autour de l‘idée et civilisation: Pédagogie de livers. [GGII: 0239].
ARNOLD DE SIMNE, Silke. "'Denn das Haus, Was Wir Bewohnen...ist ein Spukhaus': Fontane's 'Effi Briest' und Fassbinder's Verfilmung in der Tradition des Female Gothic." Germanic Review 79 (2004): 83-113.
ARNOLD DE SIMNE. Silke. “Die Lust an der Angst: Zur Schauerliteratur von Autorinnen um 1800” (pp. 55-79). In Geschlecht Literatur Geschichte. ed. Gudrun Loster Schneider. St. Ingebert. Germany: Rohrig. 1999. [Desire and Fear: On the Shudder Literature of
ARNOLD. Donna. “Frankenstein’s Monster: Paragon or Paranoic?“ [GGI: 0698].
ARNOLD. Ellen. “Deconstructing the Patriarchal Palace: Ann Radcliffe’s Poetry in The Mysteries of Udolpho.” Women and Language 19:2 (1996): 21-29.
ARNZEN. Michael Andrew. “The Popular Uncanny.”  Dissertation  Abstracts  International 60:8 (2000): 2985 (University of Oregon).
ARTER. Janice. Feminist Reflections on Stoker’s He-roines. [GGII: 0709].
ARVIN. Newton. “Melville and the Gothic Novel.” [GGI: 1690].
ASH. RUSSELL. “Introduction.” To The Vampyre. [GGI: 0968].
ASHLEY.  Mike.  “Hoffmann.  E(rnst)  T(heodor)  A(madeus) 1776-1822” (pp. 668-69). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Michael. “Introduction.” To Mrs. Gaskell’s Tales of Mystery and Horror. [GGII: 0777].
ASHLEY. Mike. “BLACKWOOD. Algernon (Henry)” (pp. 59-62). In St. James Guide to Horror. Ghost. and Gothic Writers. ed.  David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Mike. “BRADDON. M(ary) E(lizabeth)”  (pp. 80-83). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/ Gale. 1998.
ASHLEY. Mike. “HUNT. (Isobel) Violet” (pp. 285-87). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Mike. “LE FANU. J(oseph) Sheridan” (pp. 356-58). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
ASHLEY. Mike. “LEWIS. M(atthew) G(regory)” (pp. 364-66). In St. James Guide to Horror. Gothic. and Ghost Writers. ed. David Pringle. Detroit and New York:  St. James Press. 1998.
ASHLEY. Mike. “PREST. Thomas Peckett” (pp. 459-61). In St. James Guide to Horror. Ghost. and Gothic Writers. ed. David Pringle. Detroit: St. James Press/Gale. 1998.
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